UNCONDITIONAL LOVE

There is no condition in love.love is free of all bindings.krishna,meera,chaithyna,poontanam,kurooramma......all danced inecstasy,expressing their love of god.Chaitanya says dancing is the best way of spreading bliss &joy.ramakrishna says dancing is the ultimmate technique to drop ur ego.if u love god,just dance ur way to god.children need not to be taught to dance,they already are that way.theie inner intelligence knows how to balance their energy in the centere of their being and that is why they are so joyfull all the time.but u are unable to handle them in that state and so u suppress them and make them quiet.when u dance whithout any condition whith ur belng,urso otal and near to god.

TEMPLE ARCHITECTURE IN KERALA.

In purely archaeological terms much of kerala architecture is early or late medieval . but this is only a historical period statement ,the text VASTU ,AGAMA, or TANTRA are also late medieval however the architecture style as also the ritual has elementes of many ancient traditions. the field is vast & despite the monumental work of scholars like poduval ,sarkar {two reachers} & others,much morr is called for.here we can draw attention only to some pan india trans_historical principles &fundamentals &equally remarkable distinctive regional features. the architecture plan of the kerala templs are built largely on the pan indian almost universal model of the VASTHUPURUSA. the figure of man purusa in the literal sense as also figurative mean & as a macro & micro measure has from time immemorial been used in many culture as a symbol of co-ordinated function a whole, vedic ritual {karma kanda} the viniyoga concretised the absract concepts of the PURUSA in the RIGVEDA. vastu texts ranging from the AGNIPURANA to the latrst from kerala namely the arc.........plan of the hindu tempel is based on the TANTRASAMUCHAYA by chennas namboodiripad & SILPARATNA OF SRIKUMARA all make reference to the figure of man in indian architecture plans.

sangeethajnanamu bakthi vinaaaaaaaa.......

Chembai vaidyanatha bagavathar [1894-1974} was born in a family with a musical tradition.he studied music under his father,sre anantha bagavathar ,a famous vocalist and violinist. for over maney years,chembai dominated the field of carnatic music with his ringing voice.KATRIKA SWARA[katiri swara} is his famous perfomence.hi is a storing BAKTHA of lord sree guruvaayoorappan.it was a strange coincidence that chembai.who began his professional career with a music at krishna temple in kerala,should have his last concert also at the krishna temple at OTTAPPALAM [plghat dist}.on 16th of october 1974,a few hours after that memmorable concert ,chembai breathed his last at the age of 80.his famouse keerthana ....KARUNA CHEYVANENTHU THAAMASAM KRISHNA.....of his last word..

KATHAKALI A REAL CLASSICAL THEATRE.

One of the oldest temple art forms in kerala,kathakali still sticks to the ancient format:,kathakali masters for centuries refused to innovate and stuck to the age_old traditonal form of presentation.some changes have com,the duration is reduced from nightlong plays to a few hours.the art from has out ofthe precincts of temples on to kathakali clubs. the plays same ones written by stalwarts to suit aleisurely village life ans temple festivals. kalamandalam in cheruthuruthy established by poet vallathol still dominates the field and produces artistes of repute.very few who com out of this university dartry new innivations for fear of the wrath of the masters. continu....

SARASWATHI NAMASTHUBHYAM ......

saraswathi namasthubhyam varade kaamaroopini vidyarambam karishyami sidhirbavathume sadaa.innu dasami. kaladevathayude anugrahathinayikond namukkorumich prarthikkam..unnathamaaya guruparamparayude vidyadanam labikkuvan namrasiraskaray vanangi nilkkam ..Namasthesthu mahamaaye sreepeede surapoojithe sangachakra gadahasthe mahalaksmi namosthuthe.Akadandam mahakaayam thapthakaanchana sannibham lambodaram visalaaksmam vandeham gananaayakam.

The purano tantic stage of the religion was once decried by european critics and indian reformers as a base and ignorent degradation of an earlier and purer religion.it was rather an effort,successful in great measure,to open the general mind of the people to a higher and deeper range of inner truth and experience and feeling.much of the adverse criticism once heard proceeded from atotal ignorance of the sense and intention of this worship.much of the criticism has been uselessly concentrated on side path and aberrations wich could hardly be avodied in this immensely audacious experimental widening of the basis of the culture. 4 there was a catholic attempet to draw towards the spiritual truth minds of all qualities and people of all classees. much was lost of the profound phychic knoweldge of the VEDIC seers, but much also of new knoweldge was developed,untrodden wayas were opened and a hundred gates discovered into the infinite.

A BIG THEFT STORY. boudhayana{india} bc 1200. pythagorus{bc1800}. boudhayana sulbasootram is a mathematical method of build in sacrifices stage.sootra mean equations. see the one equ.......of both person.boudh...."deergachathurasra ashnayarajju parswamanee thiryangmaneecha pridakboothe kurutha:thadubayam karoothi".{b s s>1-48. mean.....[in malayalam words].deergachathuratinte vikarnam ulavakkunna visteernam{diagonal} athinte sameepavasavum ethirvasavum[otherside} ulavakkunna chathurasrangalude visteernangalude thukayood{total} tulyamatre[equal]. OR C2=A2+B2. pythagorus theorem is ......"the square on thehypotenuse of a right-angled tringle is equal to the sum of the squares on its sides.OR c2=a2+b2. A&B=SIDE. C=KARNAM.{pythagorus theorem>cha.....5. mean ......oru lambatrikoonathinte karnavargam athinte bujangalude vargangalude {group} thukayood {total} thulyamayirikkum[equeal}. REMEMBER..............boudhayanas period...BC 1200. pythagorus time is BC 1800::::

E=Mc2

GAYAKAPARIJATHAM . karnataka[classical}sangeethathile siddantha grandhangalil agrimasthanathullavayanu DATTILAM,BRUHADDESI,KOHALAMATHAM,SANGEETHARATNAAKARAM...........muthalayava.ee ganathil prduthavunna oruthama grandamanu GAYAKAPARIJATHAM.andrapredesukaraya THAKKUR BROTHERS anu ethezhuthiyathatre.thelunku lipiyilulla moolagrandhathinu malayalathilum oru paribashayundayittund.123 VARSHANGALKKUMUNP 1060L thiruvananthapurathuninnum kallachil adichu purathirakkiya eegrandhathil SAPTHATALAPRAKARANAM,VARNAM,KRITHI,.....muthalayavayude swaravinyasam ennivayanu mugyamayi prathipadhichittullath.ee grandham gaveshakarkkum sangeetha vidyarthikalkum ozhichu koodan patatavayathe. SAMATHAWVAADHI

MAADAMBITHTHINTE KOOTHUVILAKKAL .prabudhakeralathinte?prabudathayku mangalelpicha orupaadu sambavangal aduthide orupaadundayittund.athiletavum puthiyathaanu prasidha koodiyattakalakaariyaya {nangyarukoothu]USHA NANGYARE chila koothambalangalil kayatilla enna adhunika jathi maadambimarude theerumanam.jathiyil naayaraya sree V K K HARIHARANE vivaham kazhichathanatre ekkootare ithinu prerippichathu. koothum ,koodiyattavum koothambalangal vitt purathirangiyitt varshangalaay.yasasareeranaya sree PAINKULAM RAMACHAKYAR ithinu munkaiyeduthu.80KALIL THUDANGIYA NAVEEKARANA kaalam ithinu vellavum valavum nalki.eeyide anthricha padmasree GURU AMMANNUR MADHAVACHAKYAR POLUM thante yathasthithikatha kai vedincj ee naveekaranathinu thantethaaya sambaavana nalki.UNESCO polum loka paithrukappattikayil koodiyattathinu angeekaram nalki. 2007 le kendra bajatil 3 crore roopayanu koodiyatta naveekaranathinayikkond neekki vechathu.ithellam ee mahathaya kalayude varthamaanam. enthanu sreemathi USHA NANGYAR cheytha kutam?P G kkariyaya avar 15 varshatholam kastappet abhyasicha kala kai vidathe pidichatho?atho ithellam viterinj kevalam upajeevanamargam thedi pookanjatho?ihonnu maayirikkilla kaaranam jathiyil naayaraya HARIHARANE vivaham kazhichathuthanne kandethuvan prayasamlla.thante aattaprakaarangalku thaalam pakarnna hariharane jeevitha sagavayi varichathine engine avare kutam parayum?ethirkkunna maadambimare oru vaakku.........ningalkku theere charitraboodham illa ennu parayendi vannathil gedhamund.vedam pakutha vyasar arayirunnu?upanishathile SATHYAKAMAN arayirunnu?enthinu ningalokke dhivasavum vanangunna saakshaal UNNIKRISHNAN {GURUVAYOORAPPAN] jaathiyil arayirunnu?dhalithnaya yadhavanalle? ????/ ellavarkkum sadbudhi varatte athinay prarthikkam........

vaagarthaviva samprukthwo vaagartha prathipathaye jagathapitharwo vande paarvathi parameswarwo............

kanvazhikal

enthu sundaramee lokam